Overview
Welcome! The two essays included here — “Girolama Parasole among the “Illustrious” in the Portrait Collection at the Accademia di San Luca” by Susan Nalezyty and “Printmaking and the Progression of the Arts in Rome: The Interested Case of Girolama Parasole” by Evelyn Lincoln — were originally published in 2024 on an earlier version of the website for the digital project The Early History of the Accademia di San Luca, c. 1590–1635: Documents from the Archivio di Stato di Roma. Initiated in 2010, the project is a collaboration between the National Gallery’s Center for Advanced Study in the Visual Arts, the Archivio di Stato di Roma, and the Accademia Nazionale di San Luca. It is conceived in two parts: a volume of essays concerning the establishment of the Accademia, edited by Peter M. Lukehart, and a database of rediscovered notarial documents that support current and future study of the Accademia and its members. Explore the digital project…
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Header image: Girolama Parasole after Antonio Tempesta, Battle of the Lapiths and Centaurs, n.d., woodblock print, The Art Institute of Chicago, The Amanda S. Johnson and Marion J. Livingston Fund, 1999.684